re: blaine invasion

I'm not quite sure what I'm talking about except that it has something to do with forming an object, How it is done.

An objective co-something or other of something, like a poem. An object, image or event which is based on rules that an enclosing narrative doesn't have so that what is there, invisible there beyond the narrative or frozen imaginaire is now seen and felt.

This also means beyond the limitations of senses but absolute in them. With Grassy Narrows, the Vancouver prison riot and the Invasion of Blaine as well as the Waterloo university occupation and the two times I was arrested - and as well as the Partisan Street program, I with others created something, an event evidently now gone from most memories as they were and have remained the news image, that were designed to signify one thing, a false thing, a thing meta and under or above reality, but was actually intended to get someone 'in lawful custody' out.

Enclosed warriors, tortured innocents like Student idealists, Communist anti-fascists released by a Caravan of false ethnic wanderers, an invasion of children and picnickers, a crowd of faux arsonists, and a phoney biserker.

That is what the difficulties caused by surrealism are intended to do, to get the reader or viewer OUT. It has an objective, or more like a compulsion or duty. It must be done. To get away from Ultreye (the god-thing beyond panoptic) and take the reader with you. Out.

I saw, when I was last in Vancouver staying in a Hotel on Granville, a history channel thing saying the invasion of Blaine was about the environment and atomic testing. No it wasn't. It was about Cambodia.

I wondered if I was ever there.

The set off of the Native People's caravan from the courthouse was said to be an abortion caravan which did take place but years earlier.

She did a voiceover of the film but it was of native dancers. And me.

'Surreal,' as they say.